Posts Tagged ‘venice’

Check out Ellyn’s profile on Last.FM

Friday, September 3rd, 2010

Picture 6Watch videos, listen to tunes, comment, add photos! Check her out!

Last.FM Bio: Of Ellyn Maybe’s new poetry/music CD, Rodeo for the Sheepish, the legendary rock critic Greil Marcus wrote, “I heard half of the long, quietly mesmerizing “City Streets” on the radio—what was this? A woman with a poem, with music and a sung chorus not behind her but circling her, and the poem neither exactly recited nor sung, but spoken with such a lilt, in a voice so full of miserabilist pride—at forty, a woman is still getting high-school insults tossed at her (“Hey Mars girl,” a man shouts on the street, “get off the Earth”)—that it’s music in and of itself. There is no bottom to Maybe’s inventiveness, to her adoption of Nirvana’s Oh well whatever never mind as an artistic tool, to a confidence that allows her to toss off a bedrock statement on the American character (“There are people / who know the cuckoo is the state bird / of most states of mind”) in a throwaway voice so that its humor hits you not as a joke but as an echo. There is nothing like this album except for the real life it maps.”

Author of eight books of poetry but even better known for her engagaging personality and performances, Ellyn was convinced by fans from the music world to adapt her spoken-word prowress to a musical format. Their delight at the results can be seen from a few typical reactions:

  • Jackson Browne“I have started to write something about you…several times, and each time I am struck by my inability to describe what you do in terms beautiful enough, original enough to do you justice. … Who has ever been able to say in other words what a song says? Maybe it’s why I like your poems so much; they say what can only be said in exactly the way you say it. The best way of turning someone on to you is to play you for them.”
  • Henry Rollins “Ellyn Maybe is an irresistible force. To…listen to her poetry is to be gently and completely crushed while simultaneously inspired and charmed. The honesty with which she so exquisitely reveals her vulnerabilities, desires and pain is beautiful and rare. … Reading Ellyn’s poems from the page is one thing but hearing…them just the way she meant them to be heard is something else altogether. … The musical accompaniment on the album is not mere background filler but a true collaborative effort between Ellyn and the musicians that really works.

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Poetry Rodeo Rides on at Beyond Baroque!

Tuesday, August 24th, 2010

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Sparring with Beatnik Ghost Photos

Tuesday, August 3rd, 2010

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Text and Photos by Daniel Yaryan.

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Ellyn Maybe and Michael C. Ford inside the Beyond Baroque bookstore before the show.

Round VII: Sparring With Beatnik Ghosts on Friday, July 23, 2010, Venice, CA.

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Photo by Mani Suri

ELLYN MAYBE is a dynamic performer (joined on the night of July 23rd at Beyond Baroque by two extremely talented musicians Danny Moynahan and Robbie Fitzsimmons matching her charistmatic artistry) and I’m so honored to have had her be a part of Sparring With Beatnik Ghosts. Maybe’s Rodeo For The Sheepish is getting rave reviews and her set at Sparring was filled with beautifully infectious sound and words connecting the brain to a much needed transfusion of art at its best!

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Photo by Mani Suri

MICHAEL C. FORD is not merely a Language Commando but a Five Star General of poetry — once again demonstrating his craft not only to the Beyond Baroque audience on July 23rd but drawing tremendous respect from his poet peers with the highest standards. He has it dialed in impressively — as the crowd witnessed at the Sparring With Beatnik Ghosts show. Ford’s work is extremely influential and his accessibility to less-known poets earns him a place of honor among Los Angeles poet greats.

This Week In Poetry…

Tuesday, July 20th, 2010

Hen House’s own Ellyn Maybe and Michael C Ford featured in Beyond Baroque’s poetry supershow Sparring with Beatnik Ghosts

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Friday July 23rd 7:30pm

By Falling James

Sparring With Beatnik Ghosts is a “traveling poetry supershow” of spoken-word performers and musicians that started in San Francisco in 2008 and is finally making its debut in L.A. The series presents adventurous modern-day poets in bars and venues where the early Beat poets used to hang out, in the hopes that the lingering spirits of the elders will inspire their progeny’s new work. Given its long history as a SoCal literary vortex, Beyond Baroque seems to be an ideal setting for “tapping the mystic voices and drumming the Beat haunts from their tombs in Los Angeles.” This seventh edition of the series features the longtime local poet Ellyn Maybe, appearing with a band (!), and veteran wordsmith Michael C. Ford, whose “arsenal of commando language” blows apart every last standing irrational political pie-ball cowboy who continually threatens National Nirvana.” Meanwhile, former Ringling Sister Iris Berry (Two Blocks East of Vine, pictured) leavens her tales of heroin misadventures and gangster boyfriends with a punk rock perspective and gallows humor. The show also includes Jim Bolt, Mike the Poet, Rachel Kann, Brenda Petrakos, Gary Justice, host Mani Suri and special guests known only as the Mystery Poets. (Link to LA Weekly Events)

Ellyn Maybe and the Band April Residency at Pier 212

Wednesday, April 7th, 2010

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Pier 212 Website

Pier 212 Map

Ellyn Maybe – There Were Two Girls Who Looked A Lot The Same

Friday, February 5th, 2010

Henry Rollins writes “Ellyn Maybe is an irresistible force. To read or listen to her poetry is to be gently and completely crushed while simultaneously inspired and charmed. The honesty with which she so exquisitely reveals her vulnerabilities, desires and pain is beautiful and rare.

Rodeo for the Sheepish has so many great moments. The first time I listened to it, I was reminded of when I first met her many years ago and how much I liked her and her poetry. One of the stand out tracks on the album, There Were Two Girls Who Looked A Lot The Same, is a perfect example of why one becomes a fan of Ellyns immediately. I cant understand how anyone could not find an aspect of themselves in that piece. This is what Ellyn does so well and so often in her work and on this album.

Reading Ellyns poems from the page is one thing but hearing her read them just the way she meant them to be heard is something else altogether. Ellyn has a great sense of humor and reads wonderfully. The musical accompaniment on the album is not mere background filler but a true collaborative effort between Ellyn and the musicians that really works.

Ellyn is a very gifted writer and a true gem.”

Song “There Were Two Girls Who Looked A Lot the Same” is from the CD “Rodeo For The Sheepish”.

Video by Veronika Bauer

Veronika Bauer Veronika was born in Krems, Austria and is a writer, actress, photographer, poet, and graphic designer. She came across Ellyn’s poetry on the internet, instantly loved it, and met Ellyn later in Los Angeles.

She has written and directed two short films, “The Window Across the Street”(2006) and “The Blue Door”(2008) and acts in short films and theater. She has also written two novels, several screenplays, several short stories and loves to take photos. Multi-talented and multi-lingual she literally lives Ellyn’s poem “Being An Artist.”

Poetry Picks – The Best CDs of 2009

Tuesday, January 26th, 2010

By

About.com Guide

(Hen House Studios, 2009) Ellyn Maybe got her moniker because she was too shy to commit when she signed up for the open mic list—“Ellyn,” she’d write, “maybe.” She’s an LA phenomenon, published by Henry Rollins, the lovechild of Gertrude Stein and Allen Ginsberg, a lyrical poet in hippie couture, a one-of-a-kind. Now, with Rodeo for the Sheepish, she shows she’s ready for Las Vegas. Brilliant settings by producer Harlan Steinberger, superlative vocal backtracks by Tommy Jordan—all of a sudden, she’s gone Motown and you can hear the sheer force of Poetry vs. Pop music in an arena the size of Radio City Poetry Hall. Humor, poignancy, universality, individuality—like all great artists, how she does it is a mystery, but Ellyn Maybe is for real.

Ellyn Maybe’s Planet Green Interview

Monday, January 25th, 2010

Ellyn Maybe and Tommy C. Jordan Ride in a ‘Rodeo for the Sheepish’

Poet Ellyn Maybe talks about her new album of spoken word fused with music.

I had never heard of Ellyn Maybe before a chance meeting in Los Angeles. Shame on me, considering her poetry pedigree is practically second to none. With her latest project, a spoken word/music album, Rodeo for the Sheepish, it is easy to see why she was named one of ten poets to watch in the new millennium by Writer’s Digest.

What’s particularly delightful about this album is that in addition to hearing her perform her poems, the album is also full of the vocal stylings of Tommy C. Jordan, of whose band Geggy Tah David Byrne once said:

“Geggy Tah are so post modern that they’ve come out the other side.”

We had a chat with both Ellyn and Tommy about making the album, inspiring social change through words, plus got a little insight into what both artists are working on next.

PG: What gave you the idea to do an album of spoken word set to music?

Ellyn Maybe: Since I reference music so often in my work it seems natural to do a spoken word/music album. This amazing opportunity came about when I reconnected with my cousin Harlan Steinberger who is wonderfully talented and he suggested we go in the studio and record a few poems with a click track and the album evolved very quickly.

We recorded everything at that first recording and then I went back after the music was finished and rerecorded some poems once I knew what the musical accompaniment was as that affected the reading.

We’re working on turning Rodeo for the Sheepish into a movie musical and hopefully a live stage show too. If anyone wants to create images for a track or a vignette for in between the songs they should please write me at ellynmaybe@aol.com.

We’re open to live action, animation, photography, painting, sketching, dance…

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